Necessity is indeed the mother of invention. What to do with the television in the living room, that was the pressing issue. We couldn’t find a single piece of furniture that fit the space, was in budget and appealed to our rather unusual tastes. So of course, I made one instead, drawing on my love of Orientalism, romantic fakes and pure calligraphic gestures. Several people thought we must have found the cabinet at the flea market in Kyoto.

By |2022-01-26T22:21:08+01:00December 8th, 2016|Archive|0 Comments


How would you like to collaborate with me on a new project? The castle of Hingene, near Antwerp in Belgium, is creating a time capsule in calligraphy. For a short time, all the wall hangings of the chateau will be taken down for restoration. The director of the castle, Koen De Vlieger, is taking this opportunity to ask the entire world (I’m not kidding) to send in messages that I will commit to eternity by writing them on the walls.

By |2022-01-26T22:21:23+01:00November 22nd, 2016|Archive|0 Comments


I would like to introduce you to the newest pen in my wonderful arsenal. I collaborated with Handwritmic ( to develop this beautiful and extremely versatile ruling pen. The pens are hand crafted from the finest materials by craftsmen in the Biella region of Italy. The basic idea for this innovative new pen came from the German calligrapher Friedrich Poppl, but has been redesigned and vastly improved using the most advanced technology to create a tool with true Italian elegance and beauty.

By |2022-01-26T22:22:02+01:00October 17th, 2016|Archive|0 Comments


I have never been much for flourishes, as they distract from the form of the letters and belong too solidly to the past. But in this project, flourishes serve as fanfares to some of the greatest paintings in the world. Here I developed a rather unconventional style of flourish related to the strapwork decorations of 17th century architecture.

By |2022-01-26T22:22:30+01:00May 3rd, 2016|Archive|0 Comments


The Rijksbook took me back to my calligraphic roots, requiring me to do formal lettering in styles I had not practiced in years! Here is an example of Roman capitals, written with quill pen on Rives BFK paper using watercolor. The client asked for something special to accompany Vermeer’s “The Milkmaid”.

By |2022-01-26T22:22:44+01:00May 2nd, 2016|Archive|0 Comments
Go to Top