November 8, 2014

In recent years my work has become very large. Sheets of calligraphy are often several meters long. Not so good for books. But I have learned to back these huge sheets of calligraphy (done on thin kozo paper) with a second sheet of kozo paper and then to cut the whole thing up to make the pages of books. These pages are the “givens” to which I respond while building the book. Page by page decisions are made about the flow of images and text. Marks, words, paintings are added to the pages, receive meanings, lose them again as their context changes, then find new meanings. Deciding when to stop is the challenge. Here is the “foetus page” of the Book of Errors. Should I have been born into a different calligraphic culture?

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